Johannes Punkt’s Flaskpost

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Tag: art

OTHER PLACES IN DREAMS in Pictures

A few pictures of OTHER PLACES IN DREAMS in situ:

By Lena Bohman:

YOU WAKE UP WITH THUNDER IN YOUR SKULL. THERE IS A DREAM AT THE EDGE OF YOUR COGNITION. IT FEELS JUST OUT OF REACH, LIKE IF YOU TRY TO REMEMBER MORE IT MIGHT ALL FADE. THERE WAS SOMETHING IMPORTANT IN THE DREAM. HOW DO YOU TRY TO REMEMBER IT? RETELL THE DREAM? LET IT COME BACK ON ITS OWN?

YOU WAKE UP WITH THUNDER IN YOUR SKULL. THERE IS A DREAM AT THE EDGE OF YOUR COGNITION. IT FEELS JUST OUT OF REACH, LIKE IF YOU TRY TO REMEMBER MORE IT MIGHT ALL FADE. THERE WAS SOMETHING IMPORTANT IN THE DREAM. HOW DO YOU TRY TO REMEMBER IT?
RETELL THE DREAM?
LET IT COME BACK ON ITS OWN?

RETELL THE DREAM YOU HOLD THE STRUCTURE OF THE DREAM IN YOUR SKULL, BLUEPRINTS OF A MASSIVE BUILDING. YOU TRY TO REMEMBER IT ALL, BUT THE CHALK MARKS DISSOLVE, YOUR DREAM GIVES WAY TO REAL WALLS, CEILINGS, FLOORS. YOU'RE IN YOUR BED. GO BACK TO SLEEP? OPEN DREAM JOURNAL?

RETELL THE DREAM
YOU HOLD THE STRUCTURE OF THE DREAM IN YOUR SKULL, BLUEPRINTS OF A MASSIVE BUILDING. YOU TRY TO REMEMBER IT ALL, BUT THE CHALK MARKS DISSOLVE, YOUR DREAM GIVES WAY TO REAL WALLS, CEILINGS, FLOORS. YOU’RE IN YOUR BED.
GO BACK TO SLEEP?
OPEN DREAM JOURNAL?

By @jakespecialk:

TAKE A PHOTO BEFORE IT FADES THE FIRST POLAROID COMES OUT WITH ALL THE TEXT ON IT, BUT IT BLEACHES TOO QUICK TO READ. THEY ALL DO THAT. MAYBE YOU PUT THE FILM IN BACKWARDS. BREAK SOMETHING? TRY TO HOLD ON?

TAKE A PHOTO BEFORE IT FADES
THE FIRST POLAROID COMES OUT WITH ALL THE TEXT ON IT, BUT IT BLEACHES TOO QUICK TO READ. THEY ALL DO THAT. MAYBE YOU PUT THE FILM IN BACKWARDS.
BREAK SOMETHING?
TRY TO HOLD ON?

TRY TO HOLD ON WAS IT A DREAM YOU HAD? IT WAS MORE LIKE A LONG MOVIE OF A MEMORY YOU HAD, BUT IT WAS NOT YOUR MEMORY. YOU REMEMBER: THE WORDS YOU COULD USE TO DESCRIBE THE WORDS YOU WOULD USE FOR THE DREAM. WORDS LIKE ELDRITCH, HOLLOW, FLUID. NO, IT WAS A MEMORY THAT HAD YOU.

TRY TO HOLD ON
WAS IT A DREAM YOU HAD?
IT WAS MORE LIKE
A LONG MOVIE OF A MEMORY YOU HAD, BUT IT WAS NOT YOUR MEMORY. YOU REMEMBER: THE WORDS YOU COULD USE TO DESCRIBE THE WORDS YOU WOULD USE FOR THE DREAM. WORDS LIKE ELDRITCH, HOLLOW, FLUID.
NO, IT WAS A MEMORY THAT HAD YOU.

To a Pervert

Art by Andreas Porss, photo by Cecilia Hellström.

Art by Andreas Porss, photo by Cecilia Hellström.

My good friend Mr. Porss, of andreasporss.wordpress.com, gave me a painting and in return I have written him a poem. Decades from now, art historians and literary historians will uncover this post, printed out and tattered, and they will wonder about the past. Did we really wrestle octopodes together in Cyprus, in an underground and very sexy establishment? Is it true that we invented the pizza salad? What is it with swordfish? None of these questions are answered, or even brought up, in the following poem.

To a Pervert
I know your heart is not some cunt heart
To sheathe a sword in; your young blunt heart

Still sizzling the teflon wok pan:
I cannot eat out your undone heart.

So eat! Eat your own damn heart out, man,
At least feast your eyes. My unwrung heart

Plays Prisoner’s Dilemma, cut-throat,
No Nash equilibrium, some heart.

So shove a microphone down your throat
And learn to speak from your unstrung heart,

But hearts make poor cufflinks, rough red sand
On those you greet, mess, with but one heart

You’d say, today I wanked with this hand.
Today I’m ribs and spine, lung, lung, heart.

Be softer yet, wrap silk round your unspun heart;
And give away your well-hung punk heart.

Graffiti Area

The wall was installed by the city commissioner shock-full of colourful defiance from the start. It has a sign that says, “Graffiti Area,” and another one that said something about the Queen. It’s grey now. Youth have taken to shoplifting cartloads of spraypaint from local stores, and spending hours each night just painting this massive wall grey. They use old white t-shirts as makeshift balaclava gas-masks. After a night of going at it, they throw away their last spraycans and discard their shirts to discover they have ventilated grey kisses into them, by breathing so heavily so near that wall.

Doppelgänger, Austin, Texas

You run into your doppelgänger at a café in Austin, Texas. She tells you she has just come back from Rome. You have been in this town all your life, if we exclude the 3-month excursion your pregnant mother took to New York while she still could.

But you want to impress this person, whose hair has highlights of blonde and whose crooked teeth were not corrected in youth, so you tell her you work as a professional art forger, specializing in Vincent van Gogh.

It leads to nothing. You never see her again; you never lie like that again.

I Am the World’s Tallest Man

I am the world’s tallest man and I want to paint paintings. They will always carry the epithet ‘by the world’s tallest man’ but I want to try. Maybe it will be easier for me to get acknowledged for this, like other celebrities and their goofy hobbies. However, I’m going to be dead serious about my art. My paintings will come from within my soul. I will try to capture the spirit of the human conditions and its consequences in simple images and I hope you will like them, and that maybe one day you will forget who made them.

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Doing Much Better Now, Thanks

He stared at his cupcake, its soft artificial pink was much softer than the artificial pink of her skin, which he had once loved.

Sometimes he looked at art. Cubism. Braque, not because it didn’t remind him of her – it didn’t – but because it was good. Braque knew his cubes.

Like, should he stalk her to find out what café she dines at just to avoid it himself? That seemed counter-intuitive.

He had even discarded all the tapes, not because he had memorized them all, but because he needed space for his new record collection.

He was just that cured.

Elephant?

There is a new installation in the tallest building in the city. It releases gas that kills artists.

There is an interactive piece of fiction encircling us – they cannot escape.

Not much has changed, except Lilah coughs now, and the graffiti does not catch my eyes anymore.

Any act of rebellion is either formulaic and easily thwarted, or creative, which kills the rebels.

I saw a black mask with huge eyes and a trunk like an elephant’s. I didn’t know what it was for. It looked like art. It was in a locked room in the Building where I work.