Johannes Punkt’s Flaskpost

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Tag: drabbles

Descriptions of Strangers

For a few years now I’ve meant to have a side project where I describe strangers in more or less literary ways. This month, for some reason, I started doing that and I shall quote here the first three (and so far the only three) descriptions of strangers.

Just observed a lady ring the hotel reception-style bell at a train station bakery over and over, the bakery looking strangely empty. I peered over the counter, no bodies. Just junk space architecture; abandoned place in the middle of a crowded station bristling with purchase, consumption and destination.

Eventually a baker arrived from stage right, wearing a service worker plastered-on smile and tilting her head back unnaturally like a mannequin, ready to take the lady’s order, teeming with rage or frustration at something the lady could not and cannot know.

It was enough to have me break out into prose.

hotel reception-style bell

On the train north this morning: a woman in a salmon cardigan, black parka moulted around her body in her seat. Straight hair reaching past her shoulders. It’s been maybe three months since she blonded it last and the effect is a gradient.

Baby with a big red pacifier and sleepy eyes sits in her lap, in an exoskeleton of dark blue with pale pink patterning.

The mother is holding her phone, casing cracked like a refrozen pond, at eye-level for the little one while she herself stares absent-mindedly out the window, having barely snow-dappled landscape drifting by for entertainment

exoskeleton

The corner of the square with the hostile blue lights shining. Crime reduction lights, like from under a flying saucer stunning us into deference. He was shouting into a mobile phone. Face barely visible under the hood of the black parka, with the blue contours from the landing lights.

He held his phone away from his face and greeted me, asked if I needed any help, which is how they ask to sell me drugs now.

I told him I was good and he nodded, put the phone back to the side of his face and walked into the light.

crime reduction lights

Augury

One day a stray walked onto the set in the middle of a scene, distracting the actresses. It was unclear how it could have got there, as no-one had seen it before it stalked into frame. We kept the film rolling, though. We got distracted – the director too, despite his reputation. That’s how it looked for a split-second. But he stayed himself. Maybe for headlines, maybe he’s just like that. He gutted the dog right there with a knife that he apparently carries on his person at all times, spilling the entrails like vague futures all over the plastic carpet.

Constellations

Your father told you about magic. About the stories hanging from the ceiling of the world like carcasses in a slaughterhouse. About astronomy and astrology. You learned to draw maps of places that didn’t exist. He told you it was okay to not know the names of constellations, because you can create your own astronomical phenomena and your own myths. Sometimes it might hurt seeing lines drawn by someone else hundreds of years ago. It doesn’t matter that things go missing, because you can find them again. Outside the apartment the whole hospital was quarantined. He was talking about himself.

Across the Street

The family across the street have two sets of drapes, one seems to be made of metal. Perhaps it’s bulletproof. They hug their kid hard in the mornings, looking at her like she’s survived cancer when she gets into the school bus. I don’t know what their names were, but the dad was not called Pete, Simon, Mark, Matt, or Robert. He’s called Trevor now; I don’t believe that either. Sometimes when we are in our gardens simultaneously I shout male names to see if he twitches. He thinks I’m boisterous and on good terms with everyone who bikes past.

Changeling

after Cecilie K.

~

Every monster child goes through this. Changeling, they would correct me with boiling water in their voices: every changeling goes through this. Monsters are something different. It is the rite of passage at the edge of the woods (even in places where there are no trees for miles, there are woods). The changeling stands peering into the darkness, perhaps looking at her claws which she has filed down to be just nails, and she thinks with a clarity usually only found in orchestral flute music and cloudless nights at great altitudes: I am not the scariest thing in these woods.

~

Also a thing from the archives, although some other archives. Written after standing at the pitch-black mouth of a forest for ten minutes in the middle of the night, trying to get my eyes to get used to the level of light in there, eventually realizing that it didn’t get lighter than that. Inspired a lot by things Cecilie K. had written, also. You can read her excellent writing at this following link, for example: ceciliewrites.com

You Wept

You wept. Who even weeps anymore? I bawl or tear up or cry, once I even blubbered, but you wept. This is exactly analogous to that time you caressed my skin when I thought you would stroke my chin or pet my hair. You’re from another time, another world. You called me dashing, when I’m nothing above handsome, am I? Am I? I don’t want to make love to you, I want blinding sex, I want a good shag, I want to fuck you, but you wrap your legs around me lovingly and I don’t know how to correct you.

~

More from the archives. Something about the spiderweb of connotations and me learning how to write, and how to love. They’re the same thing probably.

A SHORT SCENE

WOMAN
And this is “Silent” Jimmy.

MAN
What, because he’s always quiet?

“SILENT” JIMMY
No in fact it is because I will not stop talking, for example that one time that all of us were drinking beer and someone made the mistake of asking me to define the word “pleasant” and everybody had managed to drink up two more rounds of beer before I finally got to a punctuation mark in my talking. I’m a bit better now of course but still the most commong thing that people tell me is inevitably–”

WOMAN
Silent, Jimmy.

“SILENT” JIMMY
That.

Scream the Throats

We sound the drums, rattam; we stretch the skin taut and beat them until they burst and the music stops. We fall the rain, we gather the clouds, we heavy the air until one struggles for oxygen and the music stops. We play the strings, we boom the thunder. We grin, rattam; we sharpen the claws, we scratch against all the glass surfaces we find. We throw the stones, we pound the blood in ears and wrists and jugulars. We close the eyes, we make you scream until the music stops, we beat the drums, rattam, we beat the drums.

~

Old, very old, impossibly old thing I wrote for my dear friend Pao (@Panterdjuret) and wanted to have available on this here website as well. Edited a tiny, very tiny, impossibly tiny bit because things change over the years. Two words are different.

HOW TO SIGN A CONTRACT

after Uel Aramchek

You didn’t kill Kharon for the loot. You killed him because you could, because he let his guard down, and because you had a smuggled-in Herculean dagger. But his silver-dollar-laden pouch was right there. You wanted Napoleonic victory music, found a Corsican jukebox bar, tried to get a party started.

The jukebox does not accept your coins. After you’ve stabbed it in the heart, you become aware of two figures clad in togaedos waiting outside. They hand you your new name and title. One of them chuckles: “Did you think ferrymen lived forever? That this has never happened before?”

~

~

~

This has been fanfiction, or at least fiction in the style of Uel Aramchek. You can find his work on Twitter: @ThePatanoiac, and on his site North of Reality: northofreality.com. Also there is a Kickstarter campaign right now with some gorgeous Tarot cards based on his work and you’ll probably not be able to get these cards another way: kickstarter.com/projects/775608568/uel-aramcheks-tarot-arcana.

Welcome to the Airport Tattoo Parlour

Hello readers,

I just want to let you know that I also have a newsletter called Airport Tattoo Parlour over here at this link: tinyletter.com/distantstations. I write there about as often as I write on this blog, that is once a month. Except the newsletter is better than the blog. Below is one of the letters which sets the tone for what I try to atmospherize with them:

Rose

Once, my sister got a chemical burn on her hand. Turned it all bumpy and crimson. It stayed like that for a week until it went away one night, but it flares up every time she’s stressed. She stressed a lot more after the burn, of course. One day she went back to work and stole a bucket of that chemical. She found an airport tattoo parlour and asked one of the artists there to paint something pretty with it. Now her hand goes useless and filigrees blossom up her arm but it happens less often and it’s not ugly.