Johannes Punkt’s Flaskpost

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The Balance

as it relates to the things I write.

First of all: crud. I have a story with a deadline of tomorrow night (!!!) and I need to rewrite a lot of it.

This post is sort of a ‘me go too far’ post, countering the one where I totally figured everything out you guys with all the neologisms. I need less neologisms, perhaps. Still some, though.

Someone pointed out that I am probably complicating things too much, and being unaccessible in my writing. This is probably true when even I can’t figure out who the hell would relate to that story and feel emotionally compelled to continue on if they hadn’t already spent a lot of time inside my cranium.

This is not to say the story is bad – it’s not. It’s just lacking an element. Like, you have all these ingredients for an amazing salad but the ingredients are on different continents and you have to start a cargo company for others to be able to enjoy this meal. This fantastical scenario takes place in a world where you are the only entrepeneur at all, everybody else just … uh, makes a decent living doing other people’s laundry.

Anyway, posting publically about this so that I will guilt myself into finishing rewriting the story on time. I can do this!

Also to the people who are proofreading the story RIGHT NOW you people are awesome like fond memories or helium balloons or a pill that you can eat that teaches you jazz just like that. Not to devalue jazz. Jazz is difficult.

~

tl;dr? Even if it sounds awesome, things like “Patterns of electricity, or something smaller than electricity, spelled fear into the lack of an audience.” isn’t an easily understandable sentence and definitely something I shouldn’t put out there without context. And that was something I wrote trying to make the introduction more easy to follow. This might be a long night.

Rhesus Negative

‘Tis an old, old story, which I fixed a little but not too much.

[Content warning: story starts off with abuse, which then turns out to be more playful bitching than anything else, but it could still seem bad]

~

“And you’re always with the chewing of those fucking toothpicks. I don’t even know where you get them from. Cut. It. Out.”

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Worldbuilding 0: Intro!

This might be a series, or it might be a one-off, but I put the (Intro) thing in the title because it would be nice if it was a series. I’m going to build a new world! That is definitely the best part of storytelling. First I’m going to do some analysis of two of the worlds I write in though, because I’m like that. The other worlds are either too small to make comments about, or (in the case of the Vailverse) secret!

Drabbleverse

A lot of the drabbles I write take place in the same universe – henceforth called the drabbleverse –, because it’s fun to have continuity and I wish I was Cordwainer Smith*. There are a few small things that separate this drabbleverse from ours, and they all grew forth pretty organically over the course of the year or so I’ve drabbld intensely.

The first thing of these is fate-days. On a fate-day, everything smells of iron, and you get one chance to change your life. Fate-days are allotted seemingly at random, and one can tell that one is coming up if the rate of coincidences one is encountering. Most people in the world knows this.

The second thing is the Immortal God of Death-Fate, who is channeled through the Machine of Death, which is basically two floating bowling balls with an EKG-line of electricity between them. It speaks directly to our hearts without going through our ears. It’s very cryptic and not very helpful, and follows the rules of other machines of death that exist**.

Another thing is that practically everything has been given agency again. This is not that very present but it is still noticeable in cases such as this one: http://kewangji.tumblr.com/post/12254790760/on-the-7th-of-may-2012-the-sun-found-its-goal, or this one:  http://kewangji.tumblr.com/post/24968807842/cosmos-channeled-eyes-toward-charles-who-started. I say ‘again’, because, see, far back in time, through the eyes of humans, everything was given agency – the moon wanted to arc across the sky and the rivers wanted to flow. But with the advent of determinism and stuff agency’s been sort of slowly retracted to something only humans and certain animals have, but even that’s been called into question. Obviously the sun can’t be waiting for  anything.

I like that these things exist in that world.

The Anyworld

The world with the variable, the vessel and the vermin. The variable travels the universe and deletes unwitting or sturnfleen races of  biologically or technically immortal idea machines. It does so in the vessel, also called the Anywhere Machine. Nobody remembers what the vermin is/are/was/were except that it’s bad for everything. The stories written in this universe are all titled “The Anywhere Machine [something something]”. Only story currently live is The Anywhere Machine, Appendix I – Futureful Skyful***, but believe me when I say that this setting is stuffed. And also dark. Many words have to be invented specifically for this world, like sturnfleen, and dymphnatics, and meaninglet.

~

So, what makes these worlds fun?

Probably contrast. The contrast of those worlds and the one I exist in right now (just passing through). Hopefully they are fun to read because of this – most everything that makes you want to read anything is contrast; any scene, any sentence needs conflict. And contrast is the confliction of metaphysical concepts. Next time I will think up a few details about this new world. I will leave this topic for a little while, though, and think up exciting subtitles for posts that start “Worldbuilding [x]:”.

Below you can find a list of failed ideas for what this world should be about.

  • Instead of babies, humans lay eggs.
  • Extraterrestrials have already invaded and brought us under their yokes: it turns out capitalism comes from space.
  • Genetic memory is totally a thing, and people’s heads are becoming too large with all that information in their skulls.
  • The walls of reality are but eggs and literally world-shattering things are waking up.
  • Monsters.

Actually, that last one is probably on the right track. Next Worldbuilding post will be about monsters.
~

* Cordwainer Smith has a Wikipedia article you should perhaps read: http://en.wikipedia.org/wiki/Cordwainer_Smith

** if you haven’t yet read it, read it: http://machineofdeath.net

*** https://zombiesintelligently.com/vignettes/the-anywhere-machine-appendix-i-futureful-skyful/

Hunger (Idea)

Everybody loves vampires. But they’re sort of the old thing now. Zombies have and will always be a big thing because zombies keep … uhm, you know where this sentence is going. I could do zombies – intelligently, mind – but I’m already doing that and that project is kinda secret. Superheroes are on the rise. So, no-one will see this one coming. Ghouls.

Wait, no, don’t leave yet, hear me out, okay? The elevator pitch goes like this: Vultures disappear*, corpse-eating ghouls take their place in the ecosystem, let us monitor them really close to prevent panic and actual zombie invasion and stuff.

Okay so it’s still zombies. But it’s … ghouls. You could make an argument for vampires being zombies and no I’m not getting defensive at all. The main difference between my ghouls and the various kinds of zombies is that the ghouls don’t want living humans. Sometimes they attack each other and it’s kind of sad to watch.

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Protected: I Kind of Do Not Want to Go Outside Anymore (Notes on Naïf)

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The Committee of First Contact

This is a story written a while ago, published as 7 drabbles on my Tumblr blog. I decided it needed a home here.

~

Every human, any intelligent enough animal, along with some robots, felt it. An intense sensation of fear, glimpses of visions where a gargantuan entity destroyed them and everything they loved and it wasn’t even aware of them. The fear filled all Earth minds – in dreams or in reveries or in lucid thoughts – for about five seconds, before disappearing. There were car crashes and frenzies and brains that just shut down completely from fright. Instantaneous – comparisons of the robots’ timestamps confirmed this – the thing had treated every intelligence on Earth as an ansible and communicated a feeling, perhaps to scare us.

The Committee of First Contact, CoF, was created, to pursue every way they could think of to contact these aliens and to prevent the fear’s reappearance. In machines, the feeling had often been erased from memory, or been too distorted to make sense. However, a super-intelligent surveillance satellite that had shut down in the middle of the attack seemed likely to have some information. Begrudgingly, the government in charge of it let them in. It bore fruit: they found it had two and a half seconds left of fear when they revived it, including a glimpse of a starry sky.

The picture’s every star was classified and a few were identified. Given their strength and their position, assuming a few things like where stars will be in a few hundred million years to the best of our knowledge, the Committee of First Contact found out two places in the galaxy where the fear could have come from: where this scene, no matter if it happened or was pure fabrication, could have taken place. There was no doubt about it, two fleets were assembled and humanity lined up to assist, to reach out to the stars and find the signal’s nexus.

Of the two fleets the Committee sent out, only one would get results. Only one would meet with them, and the brave people who entered the deep sleep didn’t know what group they were went they went down. They would spend an eternity dreaming– to keep their minds useful, keep them from going stale and dull and rotting – and then they would wake up either in empty space, or close to the only other intelligent life in the solar system. They said goodbye to their families if they had them, during the year of preparation, and then off they went.

One would think the fear would go away, but with the fleets gone, the only memory that didn’t fade was the big uncaring monster thing. The public, the people, grew more and more afraid of another ‘attack’. The Committee of First Contact was disbanded, replaced by the Band of Interstellar Warfare, which produced weapons and let minor ships fly out to attach them like legos to the sides of the fleets, giving them an entirely new silhouette and impression. The members of the Committee’s efforts to restore the image of the extraterrestrials were all in vain. Humanity was at war.

The fleet arrived, millions of years before they had planned, for the Band of Interstellar Warfare had attached superluminous drives as well to the hulls of their ships. The humans searched for a habitable planet and found but one, a desolate planet. They landed clumsily, their ships eight times heavier than planned for, and scared the snot out of the local intelligent life form, which broadcasted instant shockwaves of fright, their strongest defence mechanism, throughout the universe. Everyone on the ship struck was dead within seconds, but before they died they saw themselves through the inhabitants’ eyes: big and monstrous.

The fright travelled between the stars faster than the stars’ light, faster than instantaneous: travelling backwards in time. Four or five seconds was all that wasn’t destroyed by the radiation and the speeds, but four or five seconds was all it took. It targeted every one of them, everyone of the beings that had helped produce their terror, and it hit them too well, or not well enough. In the past, the aggravators rusted up for war and set out into space, mounting ridiculously large weapons on their vessels, arming themselves to the teeth. They were now on their way.

A Glossary for You

https://zombiesintelligently.com/glossary/

The glossary is live! You can find out the exciting definition of such words as ‘abatomization‘ or ‘hemolyse‘ now! Yay!

New Story! The Anywhere Machine Appendix I – Futureful Skyful

https://zombiesintelligently.com/vignettes/the-anywhere-machine-appendix-i-futureful-skyful/

A new vignette appears. It appendices The Anywhere Machine, which I have not finished fixing up yet. Some of you may know that I wrote a novella called The Anywhere Machine for NaNoWriMo last year: I am still editing that thing. If you desperately want to find it, you can probably nose around my tumblr-site until you find it. I don’t recommend that, but the option exists. I am also planning on adding two or three more appendices.

I have 18 entries to the glossary, and I’ll add a few more before publishing it. It will from thereon update only in the shadows, fanfarelessly.

My time travel story has been temporarily put on hold – but don’t worry, it will be awesome once it decides to return.

On Gender-Neutral Pronouns and Other Neologisms

I just figured something out. Gosh, I like the feeling of figuring things out. Goshdarn.

(This is a shortish post. I’ll be writing the first edition of the accompanying page sometime later this week or next week.)

Background: Most every time I present someone with a story where I use gender-neutral pronouns, they say that might distract from the story at hand. I mean, unless they are already as much for such pronouns as I am. The ones I prefer to use are ze and hir (English; pronounced ‘zee’ and something somewhere between her and here, like you started saying ‘his’ but switched the s to an r at the last second) and hen and henom (Swedish; you don’t need the pronunciation). I’ve seen it happen with friends’ stories too. This bothers me because they’re a pretty natural part of my vocabulary.

Solution: Just use more neologisms. Not quite James Joycing it up, but somewhere in that direction.

Just make it part of the story. I would like for language to be all cool with the use of gender-neutral (personal; third-person) pronouns that aren’t they, but obviously it is not. I could mope at individuals for not being as accepting or down with the feminism or [adjective] as I am, or I could just use more neologisms. I love making up words. This is so not a problem. If they think it still distracts (and hey, it still might) that is still their problem.

I will attempt to make a list of all the new words I will henceforth use in my writing. It will be good. It will have the word ‘pinnaturn’ in it, and it will be alphabetical. [EDIT: the glossary is now live: https://zombiesintelligently.com/glossary/]

Also: I totally won ScriptFrenzy with my super secret unbloggable script. Yay me!

The Frustrating Process of Naming Fictional Cities

I’ve created, and helped create, a whole bunch of fictional cities in my time. There’s been Admah, the satellite (like, literally) double-city shaped like you’d built a city on both sides of a coin; with the biblical name I cannot remember the significance of. One wanted to get away from Admah, as most of the atmosphere had vanished. It was a ghost town when the corpse was still fresh; I sort of loved it.

There’s been Ublaï and Ubladà – named like that as a joke until they stopped being funny. There was Atoll, which flew inexplicably, and sort of grew out of Ubladà, via Krem. There was Elysium, haunted by humans who felt pain for the first time in their lives. And there’s the baanklide, of course, but let’s not go into that. It’s still just an egg.

There are all these tiny towns surrounding it; they don’t really have names either. They had names a few minutes ago, I’m not sure what’s up with that. They were called Silence and Darkness and Blossomwood. The nameless city swallows other’s names in search for a fitting one.

I have been trying to name this city for something like 8 months and I have to come to terms with the fact that my current methods are not working.

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